For this assignment, I want us to shift from the importance of representation and focus on how difference or a different perspective changed us in a meaningful way. Have you ever read a book and the character's perspective opened you to ideas, beliefs or realities that you had never considered? Tell us a about a work or an author whose body of work changed how you looked at the world, others or yourself. Have you ever read a book and had a paradigm shift because of it?
Recently I connected with professor and writer, Debbie Reese from American Indians in Children's Literature. Talk about kindred spirits, this advocate doesn't hold back. Do you believe in serendipity? Because after chatting with Debbie, I finally decided on a book I wanted to focus on for this meme.
I want to start by saying I was never a fan of Laura Ingalls Wilder's Little House series, book or television and Debbie can tell you better than I why the series is problematic, and as an aside author Bich Nguyen briefly talks about the racism in the books in Stealing Buddha's Dinner. As a person of color, even as a child, I was put off by stories told from the white person's perspective which often meant people of color were secondary figures either to be feared or saved or they were viewed as the exception of their kind, you know, the noble savage archetype. One of my problems with Brave New World was the reference to native people and the noble savage character. I was preoccupied with the portrayal.
It's not the first time but in talking with Debbie I was reminded that outside of classic children's literature, I rarely read any mention of Indigenous people and when I did, it was seldom a positive representation. In adult literature, I know and have read a little from Louise Erdrich. There's Joy Harjo the poet and then I thought of David Treuer. Two years ago for a group read, I read, Little. As I said my knowledge of First Nation writers is shamefully little. I rarely read men and since I began mentoring teen girls, I don't read much adult literature either.
Little was a challenge for me for all the reasons I outlined: limited knowledge, my reading preferences and my focus for the last few years. Here was an adult read, a literary read about a culture I knew nothing about and from a male perspective. It was hard getting into the read but it came highly recommended and I respected the opinion of my friend who suggested it. The opening is slow and detailed. I had to mentally adjust and I'm glad I did. The writing is deliberate, focused and distinctly different- dispassionate I think describes it.
Little was a shift; it was an education. Here was an intimate account of a family spanning three generations, details about a culture and life on a reservation and a part of American history I knew almost nothing about. It's been too long for me to write a review but that's not my focus here. What I want impress upon you is that reading Debbie's current challenges against the misrepresentation of American Indians, evoked my experience with reading Little. I remember being stirred, agitated by what I learned. I can tell you that taking time to hear another person's perspective is not only informative but uncomfortable. It challenges you to rethink what you thought you knew or to question your ignorance. It tests your humanity. Little introduced me to two cultures and histories: the Indigenous community and the Nordic settlers of Minnesota. When Treuer described the history of the area and its occupants, I asked myself why hadn't I looked at this gaping hole in my understanding of this part of American history and the region before. I don't have an answer except to say that the absence and misrepresentation in effect contributed to my ignorance. Obstacles are not legitimate excuses however.
I wish I could say more and in order to do that, I need to read more. Stay tuned.
Mr. Treuer’s accomplishment is a wonder. Out of the seasons and landscapes of a Minnesota reservation David Treuer has forged a strong intricate narrative complete with the intimate voices of fully realized characters.
—Toni Morrison
David Treuer is Ojibwe. He grew up at Leech Lake Reservation in northern Minnesota, where he now lives. He is a graduate of Princeton University.
Find more CORA Diversity responses here.
Sunday, January 31, 2010
Saturday, January 30, 2010
Saturday Six Sentences
Cheating this week's Saturday Six Sentences. On Monday at Color Online, you'll find an interview with Carleen Brice author of Chidren of the Waters. On Friday, we're hosting our first group book discussion of Ms. Brice's latest work.
There's more: "Sins of the Mother," adapted from Carleen's Orange Mint and Honey, starring Jill Scott and Nicole Beharie airs February 21st on Lifetime.
Join us for the discussion and somebody tape the show for me. I can't live without my Internet connection but I don't have cable. I may have to drive to my parents to watch this. Carleen, this is huge. I wouldn't do this for many people.
There's more: "Sins of the Mother," adapted from Carleen's Orange Mint and Honey, starring Jill Scott and Nicole Beharie airs February 21st on Lifetime.
Join us for the discussion and somebody tape the show for me. I can't live without my Internet connection but I don't have cable. I may have to drive to my parents to watch this. Carleen, this is huge. I wouldn't do this for many people.
A Book and a Prayer: The Negro Speaks of Rivers
The Negro Speaks of Rivers, illustrated by E. B. Lewis
Langston Hughes
Disney - Jump at the Sun Books
2009
I picked up this book for a couple of reasons, first because its the Coretta Scott King (Illustrator) Honor Book and the poem is by Langston Hughes. I confess I didn't know who E. B. Lewis is but after reading this book, I made it my business to learn more about the illustrator.
While I knew the poem and enjoyed it, I can tell you reading it in concert with Lewis' illustration is an entirely new experience. In fact, I'm going to say the experience was to borrow Lewis' description, spiritual. Lewis writes that he knew the poem from his boyhood but when he got the assignment he experienced the text in a whole new way. He said he recited the poem over and over until it became like a prayer and you feel that as you turn each page. There is a reverence, a peace, a kind of beauty that washes over you.
I shared my borrowed copy with several co-workers and they all loved it. One mom said she was going to purchase it this weekend. I wish had been exposed to more illustrated books as a child. As an adult I'm discovering the power and beauty in illustrated books that I didn't know existed. It's hard to describe what it means to me to experience art in this way. I do know that I want to read more illustrated books, and I hope that some parent with young children reads my reaction to this book and is motivated to seek out more books more often for their children. The Negro Speaks of Rivers is a prayer everyone should experience at least once.
I'm including this read in my POC Challenge count.
Langston Hughes
Disney - Jump at the Sun Books
2009
I picked up this book for a couple of reasons, first because its the Coretta Scott King (Illustrator) Honor Book and the poem is by Langston Hughes. I confess I didn't know who E. B. Lewis is but after reading this book, I made it my business to learn more about the illustrator.
While I knew the poem and enjoyed it, I can tell you reading it in concert with Lewis' illustration is an entirely new experience. In fact, I'm going to say the experience was to borrow Lewis' description, spiritual. Lewis writes that he knew the poem from his boyhood but when he got the assignment he experienced the text in a whole new way. He said he recited the poem over and over until it became like a prayer and you feel that as you turn each page. There is a reverence, a peace, a kind of beauty that washes over you.
I shared my borrowed copy with several co-workers and they all loved it. One mom said she was going to purchase it this weekend. I wish had been exposed to more illustrated books as a child. As an adult I'm discovering the power and beauty in illustrated books that I didn't know existed. It's hard to describe what it means to me to experience art in this way. I do know that I want to read more illustrated books, and I hope that some parent with young children reads my reaction to this book and is motivated to seek out more books more often for their children. The Negro Speaks of Rivers is a prayer everyone should experience at least once.
I'm including this read in my POC Challenge count.
Tuesday, January 26, 2010
Confession Tuesday
It's Tuesday. Today, I have more of an admission rather than a confession and maybe it's not an admission since I'm stating something obvious: I'm a bull in the china store. I suppose a confession would be that I'm not bothered by breaking things and making noise.
I don't know when it happened but I know when I realized I had been conditioned to be nice and to play to get along, I got mad. I remember the first time my therapist told me just how angry I was. I flat out told that white boy he was wrong. He wasn't. I was in denial. He kept calling me out. He'd tell me I needed to back up, delay and then respond. I learned to I give myself permission to be angry and to respond not react.
I'm a 12-stepper and if you don't know why, you're not going to find out today. Anywho, in those early days, I'd go to meetings and light up newcomers Rambo style because I wanted them to get the truth. I wanted them to stop playing with their lives and learn to live differently before they killed themselves so I gave them the truth- straight.
I'm Quaker now so I've put away the guns, but we love a good protest and debate. I've mellowed over the years. While I'm still candid and I'm not one to blow sunshine up your butt, I'm not as quick or merciless about taking your head off when I think you've said something stupid either. Some of you might beg to differ. If you think I'm rough around the edges now, just be glad you didn't know me then.
I leaned something else in my sessions with that crazy white boy (trust me this is a term of endearment); it wasn't that I wasn't always right (that I knew or I wouldn't have been in therapy now would I) rather it was I didn't have to prove to you I was right. I learned to trust my decisions and to act on my convictions.
I won't play nice or go along to get along especially when there is a wrong. I don't need anyone's permission to be angry or to speak out. So if you prefer tea parties with biscuits you'll want to skip this blog.
I don't know when it happened but I know when I realized I had been conditioned to be nice and to play to get along, I got mad. I remember the first time my therapist told me just how angry I was. I flat out told that white boy he was wrong. He wasn't. I was in denial. He kept calling me out. He'd tell me I needed to back up, delay and then respond. I learned to I give myself permission to be angry and to respond not react.
I'm a 12-stepper and if you don't know why, you're not going to find out today. Anywho, in those early days, I'd go to meetings and light up newcomers Rambo style because I wanted them to get the truth. I wanted them to stop playing with their lives and learn to live differently before they killed themselves so I gave them the truth- straight.
I'm Quaker now so I've put away the guns, but we love a good protest and debate. I've mellowed over the years. While I'm still candid and I'm not one to blow sunshine up your butt, I'm not as quick or merciless about taking your head off when I think you've said something stupid either. Some of you might beg to differ. If you think I'm rough around the edges now, just be glad you didn't know me then.
I leaned something else in my sessions with that crazy white boy (trust me this is a term of endearment); it wasn't that I wasn't always right (that I knew or I wouldn't have been in therapy now would I) rather it was I didn't have to prove to you I was right. I learned to trust my decisions and to act on my convictions.
I won't play nice or go along to get along especially when there is a wrong. I don't need anyone's permission to be angry or to speak out. So if you prefer tea parties with biscuits you'll want to skip this blog.
Little Lov'n Monday
Little Lov'n Monday is a day we celebrate the work of fellow bloggers and other sites of note. Between now and Wednesday, post a link to anything you think deserves a little lov'n. Leave a link. Make 2010 the year you commit to read and comment.
Give a little lovin'. This week's links:
A Dispora of Children (Adoption of Haitian Children) at Currents Between The Shores
Children's Picture Book Database at Miami Univ
My Top 7 Unsung YA Heroes
The Brown Bookshelf's 28 Days Later roundup
Charlotte's Roundup of MG Fantasy and Science Fiction
Racebending.com Link Roundup
SuperZero, Superbly at Brooklyn Arden
A Discussion of Jeremy Love's Bayou at The Bottom of Heaven
Give a little lovin'. This week's links:
A Dispora of Children (Adoption of Haitian Children) at Currents Between The Shores
Children's Picture Book Database at Miami Univ
My Top 7 Unsung YA Heroes
The Brown Bookshelf's 28 Days Later roundup
Charlotte's Roundup of MG Fantasy and Science Fiction
Racebending.com Link Roundup
SuperZero, Superbly at Brooklyn Arden
A Discussion of Jeremy Love's Bayou at The Bottom of Heaven
Sunday, January 24, 2010
Unsung YA Heroes
I have spent the entire weekend blogging and reading about books. Just when I was going to get away from my monitor I stumble up Unsung YA Heroes (scroll down to second list). I could not resist. Without my usual long-winded intro here are a few of my unsung YA Heroes:
The First Part Last by Angela Johnson. It's a story about a teen father. The main characters are African American. But this isn't your typical urban tale of poverty and hardship. The teen parents are smart, have futures and they were more responsible than many of their peers but pregnancy can happen even if you take precautions. The story is told from the father's point of view and the story isn't linear. Love the characters, the storyline and most of all the writing.
Sold by Patricia McCormick. I don't read many verse novels but I am drawn to books set anywhere in Asia, Middle East or India. In this story a young girl from a small village in Nepal is told she's going to work for a woman in Calcutta as a maid. Lakshmi's family is very poor so despite her fear and not wanting to leave her family, she goes off believing she'll earn enough to return and pay her family's debts. What she soon discovers is the woman who arranged for her to get the maid's job has actually sold her to a brothel.
Everytime A Rainbow Dies by Rita Williams Garcia. While many have read Speak, this is my preferred book about the aftermath of rape. Here we have two fully-developed characters. One is Haitian and the other is Jamaican. Despite their personal hardships, Thulani and Ysa do not cloak themselves in victimhood. They are wounded but in supporting each other they begin to heal. Williams is a skilled and seasoned writer that I'd like to see reviewed more in the blogosphere.
If A Tree Falls at Lunch Period by Gennifer Choldenko. Okay, this is MG I suppose but we didn't have MG, we had Young Adult and I'm sticking with that. This author was new to me so while others sang her praises she was the unexpected surprise read of the year.
Kristen and Walker seem like unlikely friends but when Kristen is dumped by her best friend she feels pretty vulnerable and out desperation she strikes up a conversation with a kid she normally wouldn't have the nerve to speak to. Walker is the new kid but he's cool and making friends easily so why would he talk to her? Because he is a good he stands up for Kristen when others try to blame her for something she didn't do. They form an odd friendship and then Kristen learns a secret wilder than anything she could have imagined. I loved, loved this book.
The Meaning of Consuelo by Judith Cofer Ortiz. This coming of age story set in 1950s San Juan, Puerto Rico is classic in form. A young girl shrouded in family sadness, a changing social and political climate in her home country and dreams of coming to America. Despite place and time, I think most readers will relate to the main character.
If You Come Softly by Jacqueline Woodson. I'm not a romance fan, YA or adult but this is a love story that more than two years later makes my heart hurt. Two teens, one black and one white. The ending is unexpected though in hindsight there was the slightest foreshadowing. Woodson foregoes typical socioeconomic stereotyping with Miah and Ellie is the one who has strained relationships at home. How they navigate their way through first love with a barrage of others subtely and not so subtle questioning their relationship how they deal with race themselves is tender and painful and real.
In The Time of the Butterflies by Julia Alveraz. This historical fiction based on the true lives of the Mirable sisters is one of my favorite books. Told in alternate points of view from each sister I learned so much about the country, the politics and this family. Loved the pacing and Alveraz's style. Enjoyed this far more than the movie.
Find more unsung heroes by using the hashtag #unsungYA at twitter.
The First Part Last by Angela Johnson. It's a story about a teen father. The main characters are African American. But this isn't your typical urban tale of poverty and hardship. The teen parents are smart, have futures and they were more responsible than many of their peers but pregnancy can happen even if you take precautions. The story is told from the father's point of view and the story isn't linear. Love the characters, the storyline and most of all the writing.
Sold by Patricia McCormick. I don't read many verse novels but I am drawn to books set anywhere in Asia, Middle East or India. In this story a young girl from a small village in Nepal is told she's going to work for a woman in Calcutta as a maid. Lakshmi's family is very poor so despite her fear and not wanting to leave her family, she goes off believing she'll earn enough to return and pay her family's debts. What she soon discovers is the woman who arranged for her to get the maid's job has actually sold her to a brothel.
Everytime A Rainbow Dies by Rita Williams Garcia. While many have read Speak, this is my preferred book about the aftermath of rape. Here we have two fully-developed characters. One is Haitian and the other is Jamaican. Despite their personal hardships, Thulani and Ysa do not cloak themselves in victimhood. They are wounded but in supporting each other they begin to heal. Williams is a skilled and seasoned writer that I'd like to see reviewed more in the blogosphere.
If A Tree Falls at Lunch Period by Gennifer Choldenko. Okay, this is MG I suppose but we didn't have MG, we had Young Adult and I'm sticking with that. This author was new to me so while others sang her praises she was the unexpected surprise read of the year.
Kristen and Walker seem like unlikely friends but when Kristen is dumped by her best friend she feels pretty vulnerable and out desperation she strikes up a conversation with a kid she normally wouldn't have the nerve to speak to. Walker is the new kid but he's cool and making friends easily so why would he talk to her? Because he is a good he stands up for Kristen when others try to blame her for something she didn't do. They form an odd friendship and then Kristen learns a secret wilder than anything she could have imagined. I loved, loved this book.
The Meaning of Consuelo by Judith Cofer Ortiz. This coming of age story set in 1950s San Juan, Puerto Rico is classic in form. A young girl shrouded in family sadness, a changing social and political climate in her home country and dreams of coming to America. Despite place and time, I think most readers will relate to the main character.
If You Come Softly by Jacqueline Woodson. I'm not a romance fan, YA or adult but this is a love story that more than two years later makes my heart hurt. Two teens, one black and one white. The ending is unexpected though in hindsight there was the slightest foreshadowing. Woodson foregoes typical socioeconomic stereotyping with Miah and Ellie is the one who has strained relationships at home. How they navigate their way through first love with a barrage of others subtely and not so subtle questioning their relationship how they deal with race themselves is tender and painful and real.
In The Time of the Butterflies by Julia Alveraz. This historical fiction based on the true lives of the Mirable sisters is one of my favorite books. Told in alternate points of view from each sister I learned so much about the country, the politics and this family. Loved the pacing and Alveraz's style. Enjoyed this far more than the movie.
Find more unsung heroes by using the hashtag #unsungYA at twitter.
Saturday Six Sentences on Sunday
Well clearly it's not Saturday which makes this late. I tell you what you work full-time, publish two blogs, manage three Facebook pages, launch a boycott and then adjust your protest because of the publisher's limp apology that nonetheless distracts folks so you shift gears, waging the same agenda albeit 'boycott', read (that's the foundation of all of this, right?) raise a teenager and do what you can to maintain a healthy relationship with your significant other. Let me know how well you manage blog schedule with all that.
Having said all that, I am happy to share with you my current reads. Saturday Six Sentences is an exercise where you describe all your reading for the week in six sentences. Let's see how I do.
I'm currently reading award winner, The Evolution of Calpurnia Tate by Jacqueline Kelly and I just picked up The Negro Speaks of Rivers by Langston Hughes, illustrated by E.B. White. I'm excited about them both. I'm enjoying Calpurnia and I love, love, love Hughes.
Also reading for Women Unbound, Iran Awakening by Shrinin Ebadi which I relate to because of a personal experience you can read about at Color Online in our New Crayons: What's New On Our Shelf post that also includes a new read, Last Night I sang To the Monster which technically I haven't started because I'm busy writing articles on my blogs.
With two sentences to spare, I'm inviting you to join the POC Challenge and to join me and fellow bloggers in our campaign to publicly criticize publishers who whitewash book covers. Learn more at Readers Against WhiteWashing.
Having said all that, I am happy to share with you my current reads. Saturday Six Sentences is an exercise where you describe all your reading for the week in six sentences. Let's see how I do.
I'm currently reading award winner, The Evolution of Calpurnia Tate by Jacqueline Kelly and I just picked up The Negro Speaks of Rivers by Langston Hughes, illustrated by E.B. White. I'm excited about them both. I'm enjoying Calpurnia and I love, love, love Hughes.
Also reading for Women Unbound, Iran Awakening by Shrinin Ebadi which I relate to because of a personal experience you can read about at Color Online in our New Crayons: What's New On Our Shelf post that also includes a new read, Last Night I sang To the Monster which technically I haven't started because I'm busy writing articles on my blogs.
With two sentences to spare, I'm inviting you to join the POC Challenge and to join me and fellow bloggers in our campaign to publicly criticize publishers who whitewash book covers. Learn more at Readers Against WhiteWashing.
Saturday, January 23, 2010
POC Challenge
Blog brown, people.
This is as straight forward as it gets: Read brown. Pam is hosting this challenge. There's currently no time frame. You don't have to list your titles in advance. Every month or quarter (depends on volume; let's make it necessary to make it every month) you'll find a space to link to your reviews.
Let us be clear. We want publishers and retailers to know we value and read POC. We said it to be true so let's demonstrate it. Open field all genres, all age groups and non-fiction counts, too.
Level 1: Read 1-3 POC books
Level 2. Read 4-6 POC books
Level 3. Read 7-9 POC books
Level 4. Read 10-15 POC books
Level 5. Read 16-25 POC books
This is as straight forward as it gets: Read brown. Pam is hosting this challenge. There's currently no time frame. You don't have to list your titles in advance. Every month or quarter (depends on volume; let's make it necessary to make it every month) you'll find a space to link to your reviews.
Let us be clear. We want publishers and retailers to know we value and read POC. We said it to be true so let's demonstrate it. Open field all genres, all age groups and non-fiction counts, too.
Level 1: Read 1-3 POC books
Level 2. Read 4-6 POC books
Level 3. Read 7-9 POC books
Level 4. Read 10-15 POC books
Level 5. Read 16-25 POC books
Thursday, January 21, 2010
Color Online: Thank You Bloomsbury but I'm Not Ready To Kiss
Thank You Bloomsbury but I'm Not Ready To Kiss
and make up.
Whitewashing-
* Fails to accurately represent race and diversity
* Says people of color do not matter
* Denies readers positive and diverse representation
* Is socially and morally wrong
Bloomsbury regretted the Liar mistake. The publisher failed then as they have now to acknowledge our valid criticism. They have failed to denounce whitewashing and to admit they are culpable.
Let us remain focused and committed to real change: realization of true diversity and representation in publishing.
and make up.
Whitewashing-
* Fails to accurately represent race and diversity
* Says people of color do not matter
* Denies readers positive and diverse representation
* Is socially and morally wrong
Bloomsbury regretted the Liar mistake. The publisher failed then as they have now to acknowledge our valid criticism. They have failed to denounce whitewashing and to admit they are culpable.
Let us remain focused and committed to real change: realization of true diversity and representation in publishing.
Wednesday, January 20, 2010
A Mother's Open Letter To Bloomsbury
Dear Bloomsbury:
It has taken me several days to compose this letter. It took time to stop reeling from your latest whitewashing incident. I was so affected by this abhorrent act that my rage constricted my throat but silence doesn’t serve us. I have given considerable thought to what I want to express here. I want my message to be clear. I’m a woman on a mission. I am a parent who has been stunned by the emotional and psychological assault you have waged on my children. Whitewashing is the marginalization and disregard for children of color. Whitewashing sends a clear message: people of color do not matter. Our children's psyches have been bruised. Your systematic erasure of their images has warped their sense of self. Your failure to recognize the harm you cause has provoked my most fierce stance against you.
Let me share with you some of my background. I’m a reader, an activist and literacy advocate. I’ve been pushing back against marginalization for more than thirty-five years. I have been publicly involved in diversity issues for more than twenty years. I am blue-collar, union stock, an urban child born during one of the most significant periods of American history. I was baptized in the waters of activism. I am tenacious, committed and seasoned. I am a black woman with scars from marginalization. I know firsthand the sting of having my image absent, distorted and trivialized. This boycott is no temporary tantrum; it will not blow over. More than money is at stake here for me so we will do this whitewashing tango until one of us gives. I have the lungs and the legs to go the distance. This boycott is personal and political and that is a formidable combination.
I, LaTonya M. Baldwin, founder of Color Online am giving you notice, Bloomsbury. I am leading a boycott against your publishing house because of your failure to discontinue the racially charged practice of whitewashing which:
It has taken me several days to compose this letter. It took time to stop reeling from your latest whitewashing incident. I was so affected by this abhorrent act that my rage constricted my throat but silence doesn’t serve us. I have given considerable thought to what I want to express here. I want my message to be clear. I’m a woman on a mission. I am a parent who has been stunned by the emotional and psychological assault you have waged on my children. Whitewashing is the marginalization and disregard for children of color. Whitewashing sends a clear message: people of color do not matter. Our children's psyches have been bruised. Your systematic erasure of their images has warped their sense of self. Your failure to recognize the harm you cause has provoked my most fierce stance against you.
Let me share with you some of my background. I’m a reader, an activist and literacy advocate. I’ve been pushing back against marginalization for more than thirty-five years. I have been publicly involved in diversity issues for more than twenty years. I am blue-collar, union stock, an urban child born during one of the most significant periods of American history. I was baptized in the waters of activism. I am tenacious, committed and seasoned. I am a black woman with scars from marginalization. I know firsthand the sting of having my image absent, distorted and trivialized. This boycott is no temporary tantrum; it will not blow over. More than money is at stake here for me so we will do this whitewashing tango until one of us gives. I have the lungs and the legs to go the distance. This boycott is personal and political and that is a formidable combination.
I, LaTonya M. Baldwin, founder of Color Online am giving you notice, Bloomsbury. I am leading a boycott against your publishing house because of your failure to discontinue the racially charged practice of whitewashing which:
- Contributes to the poor self-image among children of color
- Fails to accurately represent race and diversity
- Says people of color do not matter
- Denies readers positive and diverse representation
- Is socially and morally wrong
Tuesday, January 19, 2010
Confession Tuesday: Color It Up!
I confess, after the multiple trainwrecks that derailed the real issue which is race and representation, I was seriously thinking of complaining tonight but then I thought about the women who inspire me, women who refuse to be silent and whose voices remind me I am not crazy, I am not delusional and I have a right to be angry. Thank you to my friends, Zetta, Colleen, Neesha and Justine- writers who remain focused and committed.
Thanks also to Ari and Ah Yuan, young women who give me hope that my generation can connect and learn from the next generation of leaders. And then there is my DQ, who gives me reason every day to fight for her right to be seen, heard and respected for the beautiful teen of color she is. I don't want another generation of little black girls choosing white dolls over black ones because even in the twenty-first century our brown babies don't want to be brown.
For all of you who asked what you can do now, here's my short list:
Support these PoC blogs. This list is compromised of PoC bloggers and others who focus or significantly promote multicultural literature:
Reading In Color (YA)
GAL Novelty (YA)
The Happy Nappy Bookseller (YA)
Black-Eyed Susan's(YA)
Crazy Quilts (YA)
Color Online (YA)
Children's
Paper Tigers
The Brown Bookshelf
American Indians in Children's literature
Black Threads in Kids Lit
Asian in The Heart, World on the Brain
Worducopia
Shen's Books
Writer blogs
Lyn Miller-Lachman (c/YA)
Mitali's Fire Escape (YA)
Cynical, Ornery, Sublime(Neesha Meminger)
Fledgling (Zetta Elliott)
Chasing Ray (Colleen Mondor)
Justine Larbalestier
Tayari Jones
Literanista
White Readers Meet Black Authors (Carleen Brice)
Adult
BrownGirl Speaks
La Bloga
BronzeWord Latino Authors
Lotus Reads
Brown Paper
In Spring It's Dawn
PopCultureShock (Rich Watson)
Writers of Color 50 Book Challenge
Thanks also to Ari and Ah Yuan, young women who give me hope that my generation can connect and learn from the next generation of leaders. And then there is my DQ, who gives me reason every day to fight for her right to be seen, heard and respected for the beautiful teen of color she is. I don't want another generation of little black girls choosing white dolls over black ones because even in the twenty-first century our brown babies don't want to be brown.
For all of you who asked what you can do now, here's my short list:
- Join me in boycotting Bloomsbury. Post my anti-bloomsbury button on your page and list links to articles and letters why whitewashing needs to end now.
- Join the newly formed POC Reading Challenge
- Blog Brown- Read and review titles by or about PoC. And please don't think this is painful like pulling teeth. PoC write in every genre that you love despite the perception that black authors only write about Civil Rights and slave narratives or gangsta fiction. And other PoC doesn't always mean immigrant experience.
- Color Me Brown Links- Find new reads by checking out CMB every Thursday at Color Online
- New Crayons- I'm reviving this Sunday feature where we talk about PoC books we bought, borrowed or got on trade.
- Post links to PoC reviews in your current challenges, sharing with readers that PoC broadens not restricts what we read. I'm in six challenges. And I intend to color up them all.
- Check out Poc Blogs- Read and comment and then pick up new title you discovered there. List below.
- Display I Read In Color button on your blog. Join webring at Brown Bookspeak
- Boycott page on Facebook. Hoping to have option to sign and link to your blog in support
- Diversity Roundtable hosted at Color Online
- New Diversity Award (I know another award) for communities and bloggers who actively support PoC.
- PoC book carnival
Support these PoC blogs. This list is compromised of PoC bloggers and others who focus or significantly promote multicultural literature:
Reading In Color (YA)
GAL Novelty (YA)
The Happy Nappy Bookseller (YA)
Black-Eyed Susan's(YA)
Crazy Quilts (YA)
Color Online (YA)
Children's
Paper Tigers
The Brown Bookshelf
American Indians in Children's literature
Black Threads in Kids Lit
Asian in The Heart, World on the Brain
Worducopia
Shen's Books
Writer blogs
Lyn Miller-Lachman (c/YA)
Mitali's Fire Escape (YA)
Cynical, Ornery, Sublime(Neesha Meminger)
Fledgling (Zetta Elliott)
Chasing Ray (Colleen Mondor)
Justine Larbalestier
Tayari Jones
Literanista
White Readers Meet Black Authors (Carleen Brice)
Adult
BrownGirl Speaks
La Bloga
BronzeWord Latino Authors
Lotus Reads
Brown Paper
In Spring It's Dawn
PopCultureShock (Rich Watson)
Writers of Color 50 Book Challenge
Monday, January 18, 2010
Celebrating MLK with A Protest
Life's most persistent and urgent question is, 'What are you doing for others?
I am celebrating MLK in true form: I am protesting. I am calling for a boycott of Bloomsbury because of their continued whitewashing practice.
At the Story Siren several bloggers have rallied around her when she asked if she were wrong for not noticing race is an issue. Her supporters not only supported her but criticized bloggers like me for publicly calling the collective to task for failing to express outrage about the racist practice of whitewashing.
He who passively accepts evil is as much involved in it as he who helps to perpetrate it. He who accepts evil without protesting against it is really cooperating with it.
I respect and will defend everyone's right to speak and not to respond as they please. And I will passionately express my own right to speak out, calling on people to do the right thing. Bloomsbury is wrong and bloggers are complicit when they say nothing.
I do not expect everyone to share my opinion. I do not expect you to become activists. But I will unapologetically tell you that I feel disrespected and failed by members of the YA blogging community when you tell me that whitewashing is not a big deal.
Every man must decide whether he will walk in the light of creative altruism or in the darkness of destructive selfishness.
There are visibly less than a dozen POC book bloggers. For months I visited your blogs and commented. I posted regularly to Kristi's Mailbox meme and when a handful of you did show up here (versus my weekly visits up in double digits), you all said the same thing, you never heard of the POC books I promoted on my blog. And I never saw these books reviewed on any of your blogs so tell me how practices like whitewashing is not social, not a political issue? Why we shouldn't be blogging about race in publishing?
An individual has not started living until he can rise above the narrow confines of his individualistic concerns to the broader concerns of all humanity.
The issue isn't about Kristi and coming to her rescue (which is what anyone would want from her friends) is to be expected. The Story Siren is a major presence in the blogosphere. Is she obligated to express outrage, no. Is her absence in the debate, noticeable, yes. Kristi has influence as evidenced by how many came to her rescue. If we could only get a fraction of that kind of concern for promoting POC and holding Bloomsbury and others accountable for failing POC writers and writers who create POC characters.
I am under no obligation nor am I wrong for calling the collective to task. Almost 50 of you felt defending Kristi is important. But the majority of you said nothing about Liar and you're dismissing the real issue which is whitewashing is racist. Is it possible to talk about issues and not defending one individual but if you have to make it personal: Doret, Ari and Ah Yuan and I are real people. People of color are equally important. The covers do not reflect the reality of this world. That is wrong. When a publisher purposely misrepresents a character because of race, they are saying we don't matter.
History will have to record that the greatest tragedy of this period of social transition was not the strident clamor of the bad people, but the appalling silence of the good people.
I specifically asked teen girls why aren't you outraged about how the publishing industry is disrespecting you. To Robby, our blogs are extensions of us. Images and public behavior does matter. Exclusion and stereotyping is wrong. Covers are not an innocuous issue. Race is not an innocuous issue in this country.
I don't expect or need agreement. Today is MLK day. He fought for a world where I could be black and celebrated because I matter as much as the next human being.
He didn't wait for the majority to embrace him and neither am I.
I am celebrating MLK in true form: I am protesting. I am calling for a boycott of Bloomsbury because of their continued whitewashing practice.
At the Story Siren several bloggers have rallied around her when she asked if she were wrong for not noticing race is an issue. Her supporters not only supported her but criticized bloggers like me for publicly calling the collective to task for failing to express outrage about the racist practice of whitewashing.
He who passively accepts evil is as much involved in it as he who helps to perpetrate it. He who accepts evil without protesting against it is really cooperating with it.
I respect and will defend everyone's right to speak and not to respond as they please. And I will passionately express my own right to speak out, calling on people to do the right thing. Bloomsbury is wrong and bloggers are complicit when they say nothing.
I do not expect everyone to share my opinion. I do not expect you to become activists. But I will unapologetically tell you that I feel disrespected and failed by members of the YA blogging community when you tell me that whitewashing is not a big deal.
Every man must decide whether he will walk in the light of creative altruism or in the darkness of destructive selfishness.
There are visibly less than a dozen POC book bloggers. For months I visited your blogs and commented. I posted regularly to Kristi's Mailbox meme and when a handful of you did show up here (versus my weekly visits up in double digits), you all said the same thing, you never heard of the POC books I promoted on my blog. And I never saw these books reviewed on any of your blogs so tell me how practices like whitewashing is not social, not a political issue? Why we shouldn't be blogging about race in publishing?
An individual has not started living until he can rise above the narrow confines of his individualistic concerns to the broader concerns of all humanity.
The issue isn't about Kristi and coming to her rescue (which is what anyone would want from her friends) is to be expected. The Story Siren is a major presence in the blogosphere. Is she obligated to express outrage, no. Is her absence in the debate, noticeable, yes. Kristi has influence as evidenced by how many came to her rescue. If we could only get a fraction of that kind of concern for promoting POC and holding Bloomsbury and others accountable for failing POC writers and writers who create POC characters.
I am under no obligation nor am I wrong for calling the collective to task. Almost 50 of you felt defending Kristi is important. But the majority of you said nothing about Liar and you're dismissing the real issue which is whitewashing is racist. Is it possible to talk about issues and not defending one individual but if you have to make it personal: Doret, Ari and Ah Yuan and I are real people. People of color are equally important. The covers do not reflect the reality of this world. That is wrong. When a publisher purposely misrepresents a character because of race, they are saying we don't matter.
History will have to record that the greatest tragedy of this period of social transition was not the strident clamor of the bad people, but the appalling silence of the good people.
I specifically asked teen girls why aren't you outraged about how the publishing industry is disrespecting you. To Robby, our blogs are extensions of us. Images and public behavior does matter. Exclusion and stereotyping is wrong. Covers are not an innocuous issue. Race is not an innocuous issue in this country.
I don't expect or need agreement. Today is MLK day. He fought for a world where I could be black and celebrated because I matter as much as the next human being.
He didn't wait for the majority to embrace him and neither am I.
Sunday, January 17, 2010
Wanting Mor: Is This Freedom?
Wanting Mor
Ruhksana Khan
Groundwood Books
2009
After reading Zetta Eliott’s review of Wanting Mor and reading another mention of the book at GA Novelty, I thought, Once again, a book I’ve read and enjoyed and not reviewed. I’m writing now though because Zetta and I have divergent views on the book. We’re both feminists and we share a lot of the same views but this time, we see culture and faith differently.
Wanting Mor is akin to a Cinderella set in Afghanistan based on a true events in 2001. There is no prince but there is maturation and freedom though I think in this book, it's not freedom in the way many of us would define it. I see women making choices and exerting themselves while Zetta questions why women willingly embrace restrictions placed on them by their religion and culture. Like Zetta, I’m very interested to learn how teen girls would interpret this story. There are great comments and observations at Fledgling. Do check them out.
I read this and like Doret, I see Jameela in the context of her circumstances and culture. I think the writer gives an honest and realistic, and in a modern setting by the way a view of how some Muslim women see themselves. I prefer this to a version that is more aligned with my Western views. This is Kabul after the Taliban and during an established US presence.
I concede Jameela is judgmental towards other women, but she does mature. She comes to love and care for her friend who does not share her conservative values or adherence to their religion. Jameela also breaks from her father and chooses an alternative life as a single, employed woman. Jameela chooses her destiny.
I see Jameela and her religious views very much in the way I know Christians have very different views of what it means to be Christian. Many follow Christianity but we all do not interpret our faith and live our lives the same way, and among ourselves we are judgmental. There are many of us who are Christian, but we are also pro-choice, we reject homophobia and we are Democratic and Republican. I think Khan presents different shades of culture and faith, a view of women who live in a Muslim country and how they unapologetically live and practice and reject it, too. I think this story reflects how some women see themselves. That is valuable to see.
Jameela emulates the strongest, most positive figure in her life. Her mother believed in modesty but that didn't mean her mother believed in abuse or that she didn't think for herself. She married a non-practicing Muslim but she didn't abandon her faith. She did not live as her husband did. Mor believed and practiced what mattered most to her and that is empowering.
I think that if we're going to use our own measuring stick for what it means to be empowered then we inevitably are going to find others coming up short often.
Many of us have rejected parts of our mother's thinking and living but many of these same women were also the strongest women we knew and we drew on their strength. Sometimes we saw how limiting a woman's life could be and we were steadfast in having a different life.
In much of the multicultural literature I read, I discover girls and women who find ways to exert themselves within the context of their culture and circumstances. They find purpose, love and happiness within what they know and I find that empowering. And as undesirable as we may find some customs, there are women who find comfort and joy in their traditions. Jameela liked how she looked in the mirror. She also liked being free of being looked at. There was no reason to cover her lip after the surgery but she felt wearing the burka was her way of choosing who and when others had access to her.
I don’t think it serves us to think women have to reject culture or religion completely in order to live a life a woman finds fulfilling. And I can respect and celebrate a life a woman chooses for herself in spite of finding aspects of that life personally objectionable.
I read Wanting Mor for Women Unbound and J. Kaye’s 2010 Young Adult Challenge. I also think this fits Social Justice: Religious Freedom. I encourage you to read this book. You might also be interested in Climbing The Stairs and Beneath My Mother’s Feet. These are stories about girls growing up in traditional, conservative cultures yet they make breaks as well.
What are your thoughts about the restrictions or freedom of culture and faith? Have you read stories that elicit similar conflicts for you?
Ruhksana Khan
Groundwood Books
2009
After reading Zetta Eliott’s review of Wanting Mor and reading another mention of the book at GA Novelty, I thought, Once again, a book I’ve read and enjoyed and not reviewed. I’m writing now though because Zetta and I have divergent views on the book. We’re both feminists and we share a lot of the same views but this time, we see culture and faith differently.
Wanting Mor is akin to a Cinderella set in Afghanistan based on a true events in 2001. There is no prince but there is maturation and freedom though I think in this book, it's not freedom in the way many of us would define it. I see women making choices and exerting themselves while Zetta questions why women willingly embrace restrictions placed on them by their religion and culture. Like Zetta, I’m very interested to learn how teen girls would interpret this story. There are great comments and observations at Fledgling. Do check them out.
I read this and like Doret, I see Jameela in the context of her circumstances and culture. I think the writer gives an honest and realistic, and in a modern setting by the way a view of how some Muslim women see themselves. I prefer this to a version that is more aligned with my Western views. This is Kabul after the Taliban and during an established US presence.
I concede Jameela is judgmental towards other women, but she does mature. She comes to love and care for her friend who does not share her conservative values or adherence to their religion. Jameela also breaks from her father and chooses an alternative life as a single, employed woman. Jameela chooses her destiny.
I see Jameela and her religious views very much in the way I know Christians have very different views of what it means to be Christian. Many follow Christianity but we all do not interpret our faith and live our lives the same way, and among ourselves we are judgmental. There are many of us who are Christian, but we are also pro-choice, we reject homophobia and we are Democratic and Republican. I think Khan presents different shades of culture and faith, a view of women who live in a Muslim country and how they unapologetically live and practice and reject it, too. I think this story reflects how some women see themselves. That is valuable to see.
Jameela emulates the strongest, most positive figure in her life. Her mother believed in modesty but that didn't mean her mother believed in abuse or that she didn't think for herself. She married a non-practicing Muslim but she didn't abandon her faith. She did not live as her husband did. Mor believed and practiced what mattered most to her and that is empowering.
I think that if we're going to use our own measuring stick for what it means to be empowered then we inevitably are going to find others coming up short often.
Many of us have rejected parts of our mother's thinking and living but many of these same women were also the strongest women we knew and we drew on their strength. Sometimes we saw how limiting a woman's life could be and we were steadfast in having a different life.
In much of the multicultural literature I read, I discover girls and women who find ways to exert themselves within the context of their culture and circumstances. They find purpose, love and happiness within what they know and I find that empowering. And as undesirable as we may find some customs, there are women who find comfort and joy in their traditions. Jameela liked how she looked in the mirror. She also liked being free of being looked at. There was no reason to cover her lip after the surgery but she felt wearing the burka was her way of choosing who and when others had access to her.
I don’t think it serves us to think women have to reject culture or religion completely in order to live a life a woman finds fulfilling. And I can respect and celebrate a life a woman chooses for herself in spite of finding aspects of that life personally objectionable.
I read Wanting Mor for Women Unbound and J. Kaye’s 2010 Young Adult Challenge. I also think this fits Social Justice: Religious Freedom. I encourage you to read this book. You might also be interested in Climbing The Stairs and Beneath My Mother’s Feet. These are stories about girls growing up in traditional, conservative cultures yet they make breaks as well.
What are your thoughts about the restrictions or freedom of culture and faith? Have you read stories that elicit similar conflicts for you?
No Magic for Bloomsbury: Whitewashing, Business As Usual
I've been offline for a few days and I come back to learn that Bloomsbury is mocking us once more. I stopped at Fledgling and Zetta alerted me to Ari (the most amazing teen blogger on the planet) at Reading in Color who alerted me to Ah Yuan at Gal Novelty (clearly becoming my other most favorite teen blog to visit) and Ah Yuan directed me to Bookshop. Kudos to Bookshop for calling Bloomsbury out for their latest whitewashing, Magic Under the Glass by Jacqlyn Dolmore.
Nimira is a performer, dancing and singing in search of fortune, after migrating from Tassim, in the far East... in Lorinar, she is nothing but a dark-skinned amusement, a novelty “trouser girl” who earns nothing but pennies and whose number comes after acrobats and trained dogs in the music hall she is employed at. ... Nim was a breath of fresh air. For starters, she is dark-skinned and from a different culture; she is strong without being kick-ass: she cries when she has to cry, she fights when she has to fight, she adapts when she has to adapt. She is resilient, she is practical – and she is proud! Proud of her heritage and past.
Clearly, Bloomsbury doesn't take us seriously. Obviously they think teen bloggers are too shallow and fickle to call them out.
Well, there is a growing band of YA bloggers who are outraged and we are not going to be silent. We are going to continue to publicly criticize whitewashing, demand greater diversity in POC genre options and characters and we will snap our wallets shut until we get change. We are not only going to call out the industry but we're calling bloggers and readers on the carpet, too.
The Industry behaves in part based on what the consumer accepts. It is time to call out peers for failing to stand up for what's right. I'm not talking name calling, I'm talking about publicly calling on our peers to speak up, asking YA bloggers to join us in promoting POC writers and denouncing unfair practices at publishing houses.
I am sick of the excuses and head plunking in the sand. Teens, particularly you teen girls, stop taking the disrespect. Stop allowing the publishing industry to treat you like silly little girls who gush and fantasize over one model of beauty. You have no problem telling adults otherwise when they are wrong in what they think about you so why do you accept them selling you a stick figure with perfect skin, gorgeous hair and white skin?
Below is my letter at Bookshop's and Bloomsbury has a personal message coming. Speak up people.
Bookshop,
Thanks for this post. I'll be blogging and linking to your post. For those who argue about hurting the author, the author has already been hurt. The publisher failed her book. They disrespected her. They betrayed the vision she created. And frankly, I support conscientious writers. If the writer is not disturbed, she is not a writer I would support in the future.
Bloomsbury has disrespected the readers. They changed the LIAR cover purely for financial reasons. Clearly this company is unconcerned about the readers who will boycott this book. They believe enough white readers and those POC who don't mind being marginalized will buy the book and many will. Many will dismiss or justify buying a book and say it's to help the author. You're not helping any writer who writes POC when you accept whitewashing.
Change comes at a cost. It is never easy.
Whitewashing is racist. It says no one is interested in any character other than the white standard. It says we do not value diversity. It says POC at best can be a sidekick. POC can earn the publisher money but we cannot represent them.
BULLCRAP. *edited. I hate offending unnecessarily.
More than twenty years ago I stopped shopping at mall because of it's racial practices and I've never gone back. I will do the same with Bloomsbury. And no gift box of books will change my opinion or spending habits. I'd just as well set Ceceka's business card on fire and lucky for the Bloomsbury staff at Mid-ALA that I won't be attending. I will however be speaking at the National Diversity in Libraries Conference this summer and I'll be sharing my opinion of Bloomsbury loud and clear.
Bloomsbury has shown it's true color. And I will be showing mine.
Nimira is a performer, dancing and singing in search of fortune, after migrating from Tassim, in the far East... in Lorinar, she is nothing but a dark-skinned amusement, a novelty “trouser girl” who earns nothing but pennies and whose number comes after acrobats and trained dogs in the music hall she is employed at. ... Nim was a breath of fresh air. For starters, she is dark-skinned and from a different culture; she is strong without being kick-ass: she cries when she has to cry, she fights when she has to fight, she adapts when she has to adapt. She is resilient, she is practical – and she is proud! Proud of her heritage and past.
Clearly, Bloomsbury doesn't take us seriously. Obviously they think teen bloggers are too shallow and fickle to call them out.
Well, there is a growing band of YA bloggers who are outraged and we are not going to be silent. We are going to continue to publicly criticize whitewashing, demand greater diversity in POC genre options and characters and we will snap our wallets shut until we get change. We are not only going to call out the industry but we're calling bloggers and readers on the carpet, too.
The Industry behaves in part based on what the consumer accepts. It is time to call out peers for failing to stand up for what's right. I'm not talking name calling, I'm talking about publicly calling on our peers to speak up, asking YA bloggers to join us in promoting POC writers and denouncing unfair practices at publishing houses.
I am sick of the excuses and head plunking in the sand. Teens, particularly you teen girls, stop taking the disrespect. Stop allowing the publishing industry to treat you like silly little girls who gush and fantasize over one model of beauty. You have no problem telling adults otherwise when they are wrong in what they think about you so why do you accept them selling you a stick figure with perfect skin, gorgeous hair and white skin?
Below is my letter at Bookshop's and Bloomsbury has a personal message coming. Speak up people.
Bookshop,
Thanks for this post. I'll be blogging and linking to your post. For those who argue about hurting the author, the author has already been hurt. The publisher failed her book. They disrespected her. They betrayed the vision she created. And frankly, I support conscientious writers. If the writer is not disturbed, she is not a writer I would support in the future.
Bloomsbury has disrespected the readers. They changed the LIAR cover purely for financial reasons. Clearly this company is unconcerned about the readers who will boycott this book. They believe enough white readers and those POC who don't mind being marginalized will buy the book and many will. Many will dismiss or justify buying a book and say it's to help the author. You're not helping any writer who writes POC when you accept whitewashing.
Change comes at a cost. It is never easy.
Whitewashing is racist. It says no one is interested in any character other than the white standard. It says we do not value diversity. It says POC at best can be a sidekick. POC can earn the publisher money but we cannot represent them.
BULLCRAP. *edited. I hate offending unnecessarily.
More than twenty years ago I stopped shopping at mall because of it's racial practices and I've never gone back. I will do the same with Bloomsbury. And no gift box of books will change my opinion or spending habits. I'd just as well set Ceceka's business card on fire and lucky for the Bloomsbury staff at Mid-ALA that I won't be attending. I will however be speaking at the National Diversity in Libraries Conference this summer and I'll be sharing my opinion of Bloomsbury loud and clear.
Bloomsbury has shown it's true color. And I will be showing mine.
Monday, January 11, 2010
Little Lov'n Monday
Little Lov'n Monday is a day we celebrate the work of fellow bloggers and other sites of note. Between now and Wednesday, post a link to anything you think deserves a little lov'n. Leave a link. Make 2010 the year you commit to read and comment.
I've discontinued the giveaway because it's clear you don't need the giveaway as an incentive to support and check out others so on with the links:
Diversity Roll Call: Best of 2009 at Worducopia
US National Ambassador for Young People at Paper Tigers.
Breaking With Convention at Fledgling
Holocaust survivor explains why she became Palestinian activist @ Los Angelos Times
Why Hasn't the "Gay Panic" Defense Died a Miserable Death? @ Change.org
I've discontinued the giveaway because it's clear you don't need the giveaway as an incentive to support and check out others so on with the links:
Diversity Roll Call: Best of 2009 at Worducopia
US National Ambassador for Young People at Paper Tigers.
Breaking With Convention at Fledgling
Holocaust survivor explains why she became Palestinian activist @ Los Angelos Times
Why Hasn't the "Gay Panic" Defense Died a Miserable Death? @ Change.org
Sunday, January 10, 2010
Women Unbound: Street Art
Graffiti Women: Street Art from Five Continents
Nicholas Ganz, Nancy MacDonald and Swoon
Harry N. Abrams, Inc
2006
Female writers have always been in the vanguard of the graffiti movement, though often shunted to the sidelines by their male counterparts. This exhaustive volume places them front and center, featuring 1,000 full-color illustrations from some of the world’s most prominent artists, including Brazil’s Nina, Japan’s Sasu, Mexico’s Peste, and the Americans Lady Pink, Swoon, and Miss 17.
Lately I have wanted to give all of my attention to reflecting our humanness, our fragility and strength, back out at us from our city walls in a way that makes all these fake images screaming at us form billboards seem irrelevant and cruel, which is what they are….~Swoon
Graffiti Women is kickass. The strength of this collection is the diversity of art styles and the equally diverse personalities of the contributors. Their stories and perspectives vary but all the writers exude self-confidence. They clearly are committed to their art and there is undeniable power in their messages. Each writer had a voice and she uses it not only to express herself, but also to encourage others to find their voices and speak up.
As much as I enjoyed the collection, Ganz’s commentary is uneven and awkward at times. I was disappointed that the author's commentary didn't match the power of the pieces. When the artists themselves spoke though, a feature was empowering:
What I would like to express with my art is the endless possibilities of ideas that we can all share, learn and grow from. I would like to strike a chord within mass consciousness, to lift our minds higher, beyond prejudices or misconceptions. I would like to communicate on a positive level for women, and to surpass any expectations or limitations the world may put us….”~ EGR
I was also distracted by the idea that given the talent and wealth of experience here, this was championed by a man. I am glad Ganz thought enough of these artists to publish this body of work but why hadn’t women managed to celebrate themselves?
Overall, my complaints pale to the joy I felt taking in this work. I can’t draw a stick man so I’m in awe of those who transform what they see and feel and create something we can share in. Street art is dynamic. The energy and attitude of these women is something I’d like more young girls to be exposed to. Our girls deserve alternative role models and other paths of inspiration. Kudos to graffiti women for finding their path, they are creating indelible legacies.
I read this book for Women Unbound.
*First installation by Swoon. The second is by jan_joana.
Nicholas Ganz, Nancy MacDonald and Swoon
Harry N. Abrams, Inc
2006
Female writers have always been in the vanguard of the graffiti movement, though often shunted to the sidelines by their male counterparts. This exhaustive volume places them front and center, featuring 1,000 full-color illustrations from some of the world’s most prominent artists, including Brazil’s Nina, Japan’s Sasu, Mexico’s Peste, and the Americans Lady Pink, Swoon, and Miss 17.
Lately I have wanted to give all of my attention to reflecting our humanness, our fragility and strength, back out at us from our city walls in a way that makes all these fake images screaming at us form billboards seem irrelevant and cruel, which is what they are….~Swoon
Graffiti Women is kickass. The strength of this collection is the diversity of art styles and the equally diverse personalities of the contributors. Their stories and perspectives vary but all the writers exude self-confidence. They clearly are committed to their art and there is undeniable power in their messages. Each writer had a voice and she uses it not only to express herself, but also to encourage others to find their voices and speak up.
As much as I enjoyed the collection, Ganz’s commentary is uneven and awkward at times. I was disappointed that the author's commentary didn't match the power of the pieces. When the artists themselves spoke though, a feature was empowering:
What I would like to express with my art is the endless possibilities of ideas that we can all share, learn and grow from. I would like to strike a chord within mass consciousness, to lift our minds higher, beyond prejudices or misconceptions. I would like to communicate on a positive level for women, and to surpass any expectations or limitations the world may put us….”~ EGR
I was also distracted by the idea that given the talent and wealth of experience here, this was championed by a man. I am glad Ganz thought enough of these artists to publish this body of work but why hadn’t women managed to celebrate themselves?
Overall, my complaints pale to the joy I felt taking in this work. I can’t draw a stick man so I’m in awe of those who transform what they see and feel and create something we can share in. Street art is dynamic. The energy and attitude of these women is something I’d like more young girls to be exposed to. Our girls deserve alternative role models and other paths of inspiration. Kudos to graffiti women for finding their path, they are creating indelible legacies.
I read this book for Women Unbound.
*First installation by Swoon. The second is by jan_joana.
Saturday, January 9, 2010
2010 Challenge Update
I realize given the economy I should not complain about my job but it is seriously putting a cramp in my blogging life. The upside is that I ride the bus to work so I am reading. Here's a rundown of what I've read for my challenges. With an any luck, I'll spend the remainder of the weekend writing reviews and other blog posts in advance.
YA challenge
Beneath My Mother's Feet by Amjed Qama
Climbing the Stairs by Padma Venkatraman
When You Reach Me by Rebecca Stead
Say The Word by Jeanine Garsee
Wanting Mor by Rukhsana Khan
GLBT
Say The Word by Jeanine Garsee
South Asian
Beneath My Mother's Feet by Amjed Qama (Pakistan)
Climbing the Stairs by Padma Venkatraman
Women Unbound
Grafitti Women: Street Art from Five Continents by Nicholas Ganz Nancy MacDonald, Swoon
Beneath My Mother's Feet by Amjed Qama (Pakistan)
Climbing the Stairs by Padma Venkatraman (India)
Wanting Mor by Rukhsana Khan (Afghanistan)
Reading The World Challenge
Faith by Maya Amjera
14 Cows Carmen Agra Deedy, Thomas Gonzalez, Wilson Kimeli Naiyomah
Social Justice
Faith by Maya Amjera
That's 8 books. Loved them all! Thanks to Edi at Crazy Quilts for turning me on to 14 Cows and Faith. Both books are beautifully illustrated. They inspire and remind us that we our faith and hope in our children is well placed.
Thanks to Akilah for When You Reach Me. I haven't read A Wrinkle in Time but Stead's book took me to a place I wanted to linger. I suppose time travel is technically sci-fi, but the book felt like magic and the writing caught me up;I refused to let go.
I was so frustrated with Shawna in Say The Word and every time I thought about why, I knew Jeanine had created realistic characters. A good read about how mixed up, complex and flawed we are and how we can draw on the good in us to do the right thing.
While reading Beneath My Mother's Feet, Wanting Mor (see interview with author, Rukhsana Khan at Paper Tigers.) and Climbing the Stairs, I couldn't stop asking myself how do we impart to our girls in this instance, a love for education, to get them to understand that an education not a man or fame is the means to opportunity, personal choice and freedom? The main characters, all young girls in each book, were desperate to complete their education and they knew their chances at a life beyond servitude, abuse and dependence were inscrutably tied to being educated. For so many women outside of our country, education means an independent life.
Graffiti Women is kickass. The writers are diverse. Their stories and perspectives vary but all the writers exude self-confidence, they are clearly are committed to their art and there is undeniable power in their messages. Each writer had a voice and she uses it not only to express herself but to encourage others to find their voices and speak up.
YA challenge
Beneath My Mother's Feet by Amjed Qama
Climbing the Stairs by Padma Venkatraman
When You Reach Me by Rebecca Stead
Say The Word by Jeanine Garsee
Wanting Mor by Rukhsana Khan
GLBT
Say The Word by Jeanine Garsee
South Asian
Beneath My Mother's Feet by Amjed Qama (Pakistan)
Climbing the Stairs by Padma Venkatraman
Women Unbound
Grafitti Women: Street Art from Five Continents by Nicholas Ganz Nancy MacDonald, Swoon
Beneath My Mother's Feet by Amjed Qama (Pakistan)
Climbing the Stairs by Padma Venkatraman (India)
Wanting Mor by Rukhsana Khan (Afghanistan)
Reading The World Challenge
Faith by Maya Amjera
14 Cows Carmen Agra Deedy, Thomas Gonzalez, Wilson Kimeli Naiyomah
Social Justice
Faith by Maya Amjera
That's 8 books. Loved them all! Thanks to Edi at Crazy Quilts for turning me on to 14 Cows and Faith. Both books are beautifully illustrated. They inspire and remind us that we our faith and hope in our children is well placed.
Thanks to Akilah for When You Reach Me. I haven't read A Wrinkle in Time but Stead's book took me to a place I wanted to linger. I suppose time travel is technically sci-fi, but the book felt like magic and the writing caught me up;I refused to let go.
I was so frustrated with Shawna in Say The Word and every time I thought about why, I knew Jeanine had created realistic characters. A good read about how mixed up, complex and flawed we are and how we can draw on the good in us to do the right thing.
While reading Beneath My Mother's Feet, Wanting Mor (see interview with author, Rukhsana Khan at Paper Tigers.) and Climbing the Stairs, I couldn't stop asking myself how do we impart to our girls in this instance, a love for education, to get them to understand that an education not a man or fame is the means to opportunity, personal choice and freedom? The main characters, all young girls in each book, were desperate to complete their education and they knew their chances at a life beyond servitude, abuse and dependence were inscrutably tied to being educated. For so many women outside of our country, education means an independent life.
Graffiti Women is kickass. The writers are diverse. Their stories and perspectives vary but all the writers exude self-confidence, they are clearly are committed to their art and there is undeniable power in their messages. Each writer had a voice and she uses it not only to express herself but to encourage others to find their voices and speak up.
Paper Tigers Reading The World Challenge
Okay, I couldn't not join Reading the World Challenge at Papertigers.org. Majorie is a great multicultural literature proponent and a lovely person. Of course, I've rationalized that this challenge overlaps with my other challenges so here's the details:
Choose one book from/about/by or illustrated by someone from each of the seven continents –
Africa
Antarctica
Asia
Australasia
Europe
North America
South America
Have the books read aloud to you or read them yourself; share them as part of a book-group or in class. Combine your choices with other reading challenges.
I'm not creating a reading list but I will periodically edit this with recommendations.
Choose one book from/about/by or illustrated by someone from each of the seven continents –
Africa
Antarctica
Asia
Australasia
Europe
North America
South America
Have the books read aloud to you or read them yourself; share them as part of a book-group or in class. Combine your choices with other reading challenges.
The books can be picture-books, poetry, fiction, non-fiction… the choice is yours.
You can find lots of ideas in the PaperTigers Reviews and Reading Lists sections.I'm not creating a reading list but I will periodically edit this with recommendations.
Tuesday, January 5, 2010
Confession Tuesday
It's Tuesday. I was going to wait until this evening when I actually can sit and think for a whole ten minutes before DQ is hovering over my shoulder either complaining I'm not listening or asking to get on FaceBook. Today, I'm sharing my Icebreaker at my Toastmasters group. I've been a past member but this is a new club at my new job. What do you think I should share? Someone asked me about my speech and I laughed thinking about the 'me' here and the dynamic conversation we've been having. I'm toning it down a bit. I think I need to share only thin slices of me there. Will let you know how things went. Don't think it will be tame. I'm taking my cue from my profile description. I'm going to share a bit of me the wannabe writer/poet today.
What about you? Fess up. I'll recap this evening- maybe. I want to blog hop and hear what you have to say.
What about you? Fess up. I'll recap this evening- maybe. I want to blog hop and hear what you have to say.
Monday, January 4, 2010
Little Lov'n Monday
Little Lov'n Monday is a day we celebrate the work of fellow bloggers. Between now and Wednesday, post a link to anything you think deserves a little lov'n. Leave a link. Make 2010 the year you commit to read and comment.
I'm discontinuing the giveaway because it's clear you don't need the giveaway as an incentive to support and check out others so on with the links:
Middle Grade Fantasy, Sci-Fiction & Cybils @ Charlotte's
January 2010 calendar of events @ papertigers.org
Book Review Blog Carnival- 34th Ed @ Book Dads
Debbie Reese on "Last Woman: Political & Cultural Snaps"
Robby's response to The January GLBT mini-challenge@ once upon a book
PopCultureShock Rountable on Avatar @ PCS
Debbie Reese's thoughts about Avatar @ American Indians in Children's lit
The Latest from Iran (12/27) at Enduring America
Sunday Salon: Speaking Up @ Color Online
I'm discontinuing the giveaway because it's clear you don't need the giveaway as an incentive to support and check out others so on with the links:
Middle Grade Fantasy, Sci-Fiction & Cybils @ Charlotte's
January 2010 calendar of events @ papertigers.org
Book Review Blog Carnival- 34th Ed @ Book Dads
Debbie Reese on "Last Woman: Political & Cultural Snaps"
Robby's response to The January GLBT mini-challenge@ once upon a book
PopCultureShock Rountable on Avatar @ PCS
Debbie Reese's thoughts about Avatar @ American Indians in Children's lit
The Latest from Iran (12/27) at Enduring America
Sunday Salon: Speaking Up @ Color Online
Sunday, January 3, 2010
GLBT Reading: January Mini-Challenge
Hi everyone! January's mini-challenge here at the Challenge That Dare Not Speak Its Name is a simple one. What we'd love for you to do is take a moment to write a paragraph or two on why this challenge and/or this issue is important to you. Once you do, come back and link your post up here.
This challenge and the challenges that face the GLBT community matter to me because members of this community are my friends and family. My belief in equality and inclusion for all people means just that- all people.
This challenge matters to me because I believe it is harder to hate someone after you’ve taken the time to know them. GLBT issues are our issues. Our common human flaw to use difference as a reason to mistreat and exclude is unacceptable, inhumane, just plain wrong.
This challenge matters to me because at the end of the day, we all bleed. Cut someone and it hurts. I want to stop the bleeding.
This challenge and the challenges that face the GLBT community matter to me because members of this community are my friends and family. My belief in equality and inclusion for all people means just that- all people.
This challenge matters to me because I believe it is harder to hate someone after you’ve taken the time to know them. GLBT issues are our issues. Our common human flaw to use difference as a reason to mistreat and exclude is unacceptable, inhumane, just plain wrong.
This challenge matters to me because at the end of the day, we all bleed. Cut someone and it hurts. I want to stop the bleeding.
Friday, January 1, 2010
Mama Lockdown: Recognition for Black Literature Beyond Historical
Minutes ago, yes, minutes. The outcome of the Cybils 2009 shortlist distressed me enough to write about it now. Here's the good news:
From our database: * Total eligible books across all categories: 939 * Books read by at least 1 panelist: 931 which is 99.1% of the books * Books read by at least 2 panelists: 894 which is 95.2% of the books * Unread books: 8 which is 0.9% of the books Eight books. That's it. We only failed to read eight books--less than one percent of the nominated titles. One word: Wow.
Mama Lockdown is my fantasy character I created goofing around but today I'm posting her in protest. This is the kind of character I want to see more of, promoted and read by readers. I want black characters that today's black child can relate to.
I'm starting off the new year with a rant about an issue you're probably sick of hearing by now. Well, I'm sick of making it so somebody tell me why this continues to happen: 931 books read and of all the finalists by or about African Americans, the finalists are about slaves or civil rights.
What the frack! Is it any wonder why my nephews and countless other children of all colors are less than enthused about getting books with black characters because those books almost always are books about us blacks being hung, sprayed or chased by dogs? Come on. I don't want to speculate why black children's literature is routinely recognized only in historical narratives. At the moment I don't want to speculate if it's because publishers refuse to publish anything else by us or it's because non-poc readers only seem to accept us in limited roles. I know this much: we, black people for damn sure are sick of being pigeon-holed.
I spent hours over several days nominating quality books by people of color in all categories and predictably the end result is I read a final list with a white author recognized for writing about a slave girl and another that feels like the compulsory children's book token nod, a picture book about civil rights.
Look, I appreciate historical titles and I'm a civil rights baby so don't think these kinds of books don't matter to me. What has my panties in a bunch is that I want black kids reading about kids who look like them and the characters aren't oppressed or part of narratives that suggest we have no life or interests beyond civil rights. I'm an adult and I feel like these books are being rammed down their throats and mine. Why don't books like Troy Cle's The Marvelous Effect or Michelle Thomson's Keena Ford make these lists? Black authors have a really hard time even getting published and once they do they need to make lists like Cybils because mainstream readers follow these lists. We need allies. We need readers to see our full range of experiences and interests. We need more than black folks reading books by black folks or we won't get more publishing deals.
I am very impressed and do respect the hard work all the panelists did for Cybils. I get this is a labor of love so know that my outcry isn't a criticism of the individuals involved but a frustrated outcry about how black writers and readers are perceived.
What is keeping black authors from gaining recognition outside of the historical category? Tell me. Tell us. Tell us what it's going to take for the majority to stop insisting that we are weighted down by oppression even in our roles in literature.
Addendum
Helen, I've been on the battlefield so long my head feels a little scrambled at times. Here are a few links related to why I am a literacy and diversity advocate:
Doret writes:
I am working on my coming soon post. I am into August and plan on stopping there but I've only found about 10 debut books by authors of color. That includes picture book.
Notice I said debut authors of color not debut Black authors
And I have been searching hard. I am like a Bloodhound when it comes to finding novels with people of color or by authors of color
That low number proves that there is something wrong with the publishing industry.
Where's Ramona Quimby, Black and Pretty at Publisher's Weekly
And Stay Out of Trouble:Narratives for Black Urban Children by Lelac Almagor at Horn Books. This raised more than a few arm hairs. I had quite a bit to say in this discussion. Almagor is a classic example of why I feel compelled to speak up.
A response from Sharon G. Flake to Almagor
A great series to follow is Writers Against Racism at Amy Bowllan's blog at School Library Journal.
From our database: * Total eligible books across all categories: 939 * Books read by at least 1 panelist: 931 which is 99.1% of the books * Books read by at least 2 panelists: 894 which is 95.2% of the books * Unread books: 8 which is 0.9% of the books Eight books. That's it. We only failed to read eight books--less than one percent of the nominated titles. One word: Wow.
Mama Lockdown is my fantasy character I created goofing around but today I'm posting her in protest. This is the kind of character I want to see more of, promoted and read by readers. I want black characters that today's black child can relate to.
I'm starting off the new year with a rant about an issue you're probably sick of hearing by now. Well, I'm sick of making it so somebody tell me why this continues to happen: 931 books read and of all the finalists by or about African Americans, the finalists are about slaves or civil rights.
What the frack! Is it any wonder why my nephews and countless other children of all colors are less than enthused about getting books with black characters because those books almost always are books about us blacks being hung, sprayed or chased by dogs? Come on. I don't want to speculate why black children's literature is routinely recognized only in historical narratives. At the moment I don't want to speculate if it's because publishers refuse to publish anything else by us or it's because non-poc readers only seem to accept us in limited roles. I know this much: we, black people for damn sure are sick of being pigeon-holed.
I spent hours over several days nominating quality books by people of color in all categories and predictably the end result is I read a final list with a white author recognized for writing about a slave girl and another that feels like the compulsory children's book token nod, a picture book about civil rights.
Look, I appreciate historical titles and I'm a civil rights baby so don't think these kinds of books don't matter to me. What has my panties in a bunch is that I want black kids reading about kids who look like them and the characters aren't oppressed or part of narratives that suggest we have no life or interests beyond civil rights. I'm an adult and I feel like these books are being rammed down their throats and mine. Why don't books like Troy Cle's The Marvelous Effect or Michelle Thomson's Keena Ford make these lists? Black authors have a really hard time even getting published and once they do they need to make lists like Cybils because mainstream readers follow these lists. We need allies. We need readers to see our full range of experiences and interests. We need more than black folks reading books by black folks or we won't get more publishing deals.
I am very impressed and do respect the hard work all the panelists did for Cybils. I get this is a labor of love so know that my outcry isn't a criticism of the individuals involved but a frustrated outcry about how black writers and readers are perceived.
What is keeping black authors from gaining recognition outside of the historical category? Tell me. Tell us. Tell us what it's going to take for the majority to stop insisting that we are weighted down by oppression even in our roles in literature.
Addendum
Helen, I've been on the battlefield so long my head feels a little scrambled at times. Here are a few links related to why I am a literacy and diversity advocate:
Doret writes:
I am working on my coming soon post. I am into August and plan on stopping there but I've only found about 10 debut books by authors of color. That includes picture book.
Notice I said debut authors of color not debut Black authors
And I have been searching hard. I am like a Bloodhound when it comes to finding novels with people of color or by authors of color
That low number proves that there is something wrong with the publishing industry.
Where's Ramona Quimby, Black and Pretty at Publisher's Weekly
And Stay Out of Trouble:Narratives for Black Urban Children by Lelac Almagor at Horn Books. This raised more than a few arm hairs. I had quite a bit to say in this discussion. Almagor is a classic example of why I feel compelled to speak up.
A response from Sharon G. Flake to Almagor
A great series to follow is Writers Against Racism at Amy Bowllan's blog at School Library Journal.
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